Monday, December 21, 2009
Tuesday, December 8, 2009
Top 10 Beginning Photography Tips
Beginning Photography Tip #1:
Move in Closer
Sailboat and Sunrise Too Far Away © Jim Miotke 2005 All Rights Reserved | Sailboat and Sunrise Becomes Better by Moving in Closer © Jim Miotke 2005 All Rights Reserved |
Each time you spot a subject, snap a shot and then move in closer for a better shot. Having your subject almost fill the frame helps your viewer understand and appreciate your photo. Also, details are often more interesting than an overall view.
Keep moving in closer until you are sure the photo will successfully represent your subject.
Beginning Photography Tip #2:
Be Quick
Suzy
For This Pic, I Had to Shoot Quickly
© Jim Miotke 2005
All Rights Reserved
Practice getting quicker and quicker to the draw.
Do not worry about taking too many pictures and do not wait until you're absolutely certain all the knobs and buttons are in their correct position.
As the motto of one of BetterPhoto old t-shirts states, "Shoot First, Ask Questions Later."
Beginning Photography Tip #3:
Compose Your Picture with Care
Touch of the Past
Balanced Composition
© Jim Miotke 2005
All Rights Reserved
Strive to lead the eye along an interesting path through the photo, with the use of strong lines or patterns.
- Keep the horizon level;
- Crop out extra elements that you are not interested in (more on this is the next tip);
- Consciously place your subject where you think it most belongs rather than just accepting it wherever it happens to land in the photo;
- Play with perspective so that all lines show a pattern or lead the eye to your main subject;
- Work with the Rule of Thirds.
Beginning Photography Tip #4:
Be Selective
Detail Photo of French Breakfast
© Jim Miotke 2005
All Rights Reserved
Then be sure to keep anything that would distract out of the picture. Go as far as Ansel Adams did to remove unwanted elements.
The easiest way to do this is to watch your borders - the edges of the view you see through the camera's viewfinder. Then recompose if anything - such as an unattractive telephone wire, an old soda can, a distracting sign, your finger, or your camera strap - hangs into your picture.
It can become more difficult if you want to, say, shoot a San Francisco cable car without a single distracting telephone line. But even in such a difficult case, you have many options.
You can:- Focus in on a close-up that tells the whole story;
- Move around until you arrange the telephone lines into a neat pattern that leads to the subject; or
- Take a panning shot that makes the cable car remain in focus while the background goes blurry.
Panning Shot of a Bicycle Racer
See More Bicycling Pictures
at my Deluxe BetterPholio™
BetterBicycling.com
© Jim Miotke 2005
All Rights Reserved
Beginning Photography Tip #5:
Focus on Your Subject
Heidi
Focusing on Your Subject
© Jim Miotke 2005
All Rights Reserved
Practice shooting with different apertures and monitor the results afterwards to learn how depth-of-field affects your photo.
You will find that a smaller depth-of-field (and smaller f-stop #) focuses all the attention upon your subject. This is great for taking a picture of your child, your dog, or your husband - subjects stand out against a blurry background.
Likewise, you will find that a greater depth-of-field (bigger f-stop number) will make everything from here to eternity appear in focus. This will help make those landscapes fascinating and lovely.
Pool at Hearst Castle Using Deep Depth of Field © Jim Miotke 2005 All Rights Reserved |
Beginning Photography Tip #6:
Experiment with Shutter Speed
Snoqualmie Falls
Shooting with a Slow Shutter Speed and Tripod
© Jim Miotke 2005
All Rights Reserved
One image happens so slowly that we could never see it and the other happens so quickly in real time that we would never notice it. Play with shutter speed!
Use a slow shutter speed and a tripod to make a pretty picture of any creek or stream. On the other hand, you can use a fast shutter speed (1/500 and up) to capture an object in motion.
Combining a fast shutter speed with a long lens, you sports buffs can get a trophy of your own when you are able to catch the expression on your favorite runningback's face as he slips past the final defense toward a winning touchdown. Remember, catching the moment in fast-paced action photography may take a little more practice so hang in there.
Beginning Photography Tip #7:
Look at the Light
Empress Hotel at Sunset © Jim Miotke 2005 All Rights Reserved | | Portrait at Sunset © Jim Miotke 2005 All Rights Reserved |
By this, I don't mean look into the sun - no, that won't do at all. But it is good to see what kind of light you are working with. Which way are the shadows falling? Unless you want a silhouette effect, where your subject is black against an interesting background, it's generally best to shoot with the sun behind you.
How is the light affecting your subject? Is the subject squinting?
Is the light blazing directly and brightly upon your whole subject? This works well if you are in love with the bold colors of your subject.
Side lighting, on the other hand, can add drama but can also cause extreme, hard-to-print contrasts.
Lastly, indirect light can be used to make your subject glow soft and pretty.
Beginning Photography Tip #8:
Watch the Weather, Too
Carmel Mission Clear Blue Skies and a Polarizing Filter © Jim Miotke 2005 All Rights Reserved |
If it's overcast, simply keep the sky out of your pictures as much as possible. This is usually the best way to avoid both muted tones in your subject and washed-out skies in your background. You might also find black and white pictures of an overcast day more pleasing than color.
When the day is beautiful, go ahead and make the most of it.
If your camera allows for the use of filters, purchase a polarizer. This will help you render deep blue skies against bright white clouds, richly contrasting colors, and other wonderful effects with a simple twist of the wrist.
Beginning Photography Tip #9:
Keep Your Camera Settings Simple
Typewriter Sometimes the simplest of tools work the best © Jim Miotke 2005 All Rights Reserved |
This doesn't necessarily mean keeping your camera set on "Program" - while this mode may be perfect in its simplicity, it may be frustrating in its tyrannical control.
Instead of relying on a fully automatic program, pick a simple, semi-automatic program such as aperture-priority and master shooting in that mode. Then, you'll be able to control certain basics without letting the other basics control you, and thus keep that 150 page manual where it belongs - in your camera bag.
Tip: if you want one accessory, bring a tripod. This one item can solve camera shake issues and help you get beautiful evening shots.